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The Dyeing Of Cotton And Recipe Example

The dyeing of cotton is difficult with the natural dye stuffs, there are only a few colours which can be said to be satisfactory.

The fastest known in earlier days was Turkey red, a long and difficult process with madder and not very practical for the small dyer. It had its origin in India where it is still used; red Indian cotton is one of the fastest colours known.
Catechu is another excellent cotton dye used for various shades of brown, grey and black.
A cold indigo vat is used for blue, Indigo Extract is not used.
Yellows can be got with weld, flavin, turmeric (for which cotton has a strong attraction), and fustic.
Great care is to be taken in dyeing yellow as it is not very fast to light.
Greens may be got by dyeing in the indigo vat and then with a yellow recipe, purples from logwood with tin mordant, but purples and greens are unsatisfactory, and not suitable to the vegetable dyer.
Boiling Out Before dyeing cotton in the raw state, or in yarn spun direct from the raw state, it must be boiled for several hours to extract its natural impurities.
For dark colours water alone may be used, but for light and bright colours a weak solution of carbonate of soda, 5%; or of caustic soda, 2%, should be used.

Mordants

Alum.
Alum (1/4 weight of cotton) is dissolved in hot water with carbonate of soda crystals, or other alkali (1/4 weight of alum); work cotton in the solution, steep for several hours or overnight.
Then well wash. Aluminium acetate solution as for silk may be used.
After drying, the cotton may be passed through a fixing solution of some alkali. .
Before mordanting with alum, the cotton is often prepared with tannic acid.

Iron.
Iron is usually employed as a "saddening" agent, i.e. the cotton after dyeing is steeped in a cold solution of the mordant. A further use is in dyeing black, when the cotton, after being prepared with tannin, is steeped in a cold solution of Iron.
This process by itself gives a dark colour before any dye is used.

Tin.
Tin is rarely used alone as a mordant for cotton but brightens the colour in combination with other mordants. Chrome. Chrome is used for browns and other colours with Catechu.
After boiling in a solution of the dye stuff, boil a short time in chrome solution, this oxidizes the colouring matter of the Catechu.

Copper.
Copper is sometimes added in small quantities to the dye bath for brown or yellow to vary the shade.

Tannin (Tannic acid).
Cotton and linen strongly attract tannin and when prepared with it they are able to retain dyes permanently. Cotton saturated with tannin attracts the dye stuff more rapidly, and holds it.
Tannic acid is the best tannin for mordanting as it is the purest and is free from any other colouring matter; it is, therefore, used for pale and bright shades.
But for dark shades, substances containing tannic acid are used, such as sumach, myrobalans, valonia, divi-divi, oak galls, chestnut (8 to 10 per cent tannin), catechu.

Cotton and linen are prepared with tannin after they have been through the required cleansing, and, if necessary, bleaching operations.
A bath is prepared with 2 to 5 per cent of tannic acid of the weight of the cotton, and a sufficient quantity of water. For dark shades, 5 to 10 per cent should be used.
The bath is used either hot or cold. It should not be above 60°C.
The cotton is worked in this for some time, and then left to soak for 3 to 12 hours, while the bath cools.
It is then wrung out and slightly washed.

The following gives the relative proportions of the various substances containing tannin:

1 lb. tannic acid equals
4 lbs. sumach,
18 lbs. myrobalans,
14 lbs. divi-divi,
11 lbs. oak galls.

Examples from various recipes:
For 10 lbs. cotton use 12 ozs. tannic acid.
For 50 lbs. cotton use 10 lbs. sumach.
For 40 lbs. cotton use 10 lbs.
For 20 lbs. cotton use 2 lbs. yellow (or black) catechu.
For 20 lbs. cotton use 3 lbs. catechu with 3 ozs. blue vitriol.

Some recipes soak the cotton 24 hours, others 48.

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